Short essays and observations about flamenco and classical guitar making. Stories about making guitars as an American living in Japan. My other interests are playing the cello, flamenco guitar and painting landscape paintings. Please ask questions about guitar making or living in Japan. To contact me about commissioning a custom guitar write to me at: stephenfaulkgutars@gmail.com
Palo Escrito back& sides
Friday, May 20, 2011
Friday Afternoon with Igor
I was washing my clothes to day at the laundromat on Piedmont Ave. in Oakland California. I loaded my clothes in the cylinder, added the detergent and two dollars in coins. The coins fell into the slot and made a sound like a xylophone. Coin operated washing machines are really musical if you listen to them carefully.
After I listened to my round metal disks drop into the gears and guts of the washing machine making sounds like a few triangle strikes in an orchestra, I waited for the flood of water into the perforated metal barrel that my clothes were lumped into.
I walked up the avenue to pass time while my clothes spun in the water. I looked into the window of the nail salon five doors up from the laundry. It was kind of dark in there with a row of big cushy chairs in which women were sitting. At the foot of each chair was a big black rectangular basin of water. The women were soaking their bare feet the water, some with pants rolled up to mid calf. I did not want to stare so I decided to move on, but before I did I saw one man in the middle of two corpulent women. He was diminutive in stature, hunched forward with an intensity to his gaze that did not seem to fit in the indolent calm of the nail salon. He grasped at a magazine, and held in his mouth a cigarette holder in which was stuck a long unlighted white cigarette. He leaned back in his chair, but his gazed never relaxed, it was then that I was struck by how much he looked like Igor Stravinsky.
Thursday, May 19, 2011
Two in progress- Uke and Guitar
In progress images of two instruments which will be done soon.
On the left a Concert Uke with Birds Eye Maple body and Port Orford Cedar top. the headstock veneers are made of slices of Ebony laminated together to create stripes from dark and light colored variations in the Ebony. Sometimes Ebony has light colored sap wood that can create dramatic stripes in the wood. I like to utilize the dark on light wood for detail work on instruments.
On the right is the back of a flamenco guitar made of Malaysian Blackwood. it also has naturally occurring light on dark striping.
Thursday, May 12, 2011
Seven string Classical / Brazilian jazz guitar
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